{"id":1096,"date":"2023-05-17T16:12:26","date_gmt":"2023-05-17T14:12:26","guid":{"rendered":"https:\/\/www.pandoraceramiste.it\/?post_type=magazine&p=1096"},"modified":"2023-12-16T07:44:39","modified_gmt":"2023-12-16T06:44:39","slug":"ll-verso-del-magma","status":"publish","type":"magazine","link":"https:\/\/www.pandoraceramiste.it\/en\/magazine\/matres-1\/ll-verso-del-magma\/","title":{"rendered":"The magma verse"},"content":{"rendered":"

I come from a thousand nested corridors  <\/p>\n\n\n\n

in search of light  <\/p>\n\n\n\n

I come from the most mysterious point in the universe, <\/p>\n\n\n\n

Not from the higher world, but from a place beneath your feet  <\/p>\n\n\n\n

From hell, from the lower world  <\/p>\n\n\n\n

But today I am the most stationary fluid  <\/p>\n\n\n\n

I haven't slept with anyone and I look so naked, bare and empty. <\/p>\n\n\n\n

I have known pottery for several years, because of the geography where I was born, my childhood games were water and clay, which I instinctively made and dried by my window. In my little childhood memory is the desert, the walls, alleys and mud houses. Many years have passed since I migrated to the capital, and still my play is with water and clay. The only difference between my childhood play and today's play is that instead of creating animals and shapes, I now devote myself through clay to defending the Earth, and I have vowed to engage and try to address the problems of the planet, especially climate change.  <\/p>\n\n\n\n

            Ceramics is composed of four natural elements and I find it the best material to express myself today, and the teachings of the ancestors of my land, such as Mithras and Zarathustra, will illuminate my path. The phenomenon of climate change and warming affect many aspects of human life. Climate phenomena such as floods, droughts and hurricanes are now increasingly present in every corner of the globe and have become a daily threat to the production and equitable distribution of food, water resources and health, as well as causing negative economic changes and social problems.               <\/p>\n\n\n\n

          In the past, climate change changed the pattern of human life, but today human activities have caused enormous transformations on the world climate. Climate change is one of the challenges facing humanity in the 21st century and poses a potential threat to natural and man-made environments. <\/p>\n\n\n\n

In the past, respect for nature was part of faith as the fruit of the omnipotence of creation and thus support and respect for humanity. <\/p>\n\n\n\n

Philosophy and art were formed through the philosophers of the past, who lived in close contact with nature and the gods.<\/p>\n\n\n\n

 Their cosmological insights formed the trilogy man, nature, divinity. The main factor of any human work and civilization is the human being, a work that is the manifestation of his opinions and ideas. In addition to man, the category of communications with laws, rules, customs, manners, behaviors and ethics regulate the relations between man and work, nature and existence, in the different spiritual and material spheres of life. Finally, the body in addition to specific environmental, economic, technical, scientific and artistic conditions is influenced by two other factors. In fact, besides the objective and spatial profile, every human work has an intellectual and ideological aspect and a moral aspect. So I always started from my origin and Zarathustra or god of fire. He is a philosopher\/prophet of ancient Iran whose thoughts had a great impact on the formation of moral standards, drawing the boundaries of good and evil and the foundations of Western philosophy. Zarathustra, commonly known as the prophet of Iranians, is one of the prominent readings in the history of ancient Iran.  <\/p>\n\n\n\n

What Zoroastrianism teaches about ecology: Zoroastrianism claims to be the oldest religion in the world, and also the first cult to support ecology through care of the elements and the earth. <\/p>\n\n\n\n

The faith of Zoroastrianism commands not only the thoughtful care of the physical world but with it also seeks spiritual salvation. Human beings, as God's most important creatures, are considered the natural \"motivators\" and overseers of the Seven Creations. As the only conscious creation, humanity's first task is to care for the universe. This faith advocates caring for the Seven Creations (sky, water, earth, plants, animals, human creatures and fire) as part of a symbiotic relationship. Zoroastrianism considers the physical world to be a natural matrix of the Seven Creations in which life and growth are interdependent if harmony and perfection are to be the ultimate goal.  <\/p>\n\n\n\n

Purity: The sacredness of creations demands the greatest awareness on the part of the Zoroastrian to deliver, at the end of human time, to Ahura Mazda the world in its perfect and original state. As an example of this concept of sacredness, it is a tradition that every Zoroastrian never enters a river to wash or pollute it in any way. The purity of nature, in his tradition, is seen as the greatest good. <\/p>\n\n\n\n

The Crisis: Zoroastrians in India recall in their traditional history how, at one time, Mother Earth was in danger, and she asked the God Ahura Mazda if he could send her a prince with warriors, to forcibly stop those who wanted to harm her. Ahura Mazda said he would send a holy man who would use only words and convincing ideas; thus the prophet Zoroaster was born. <\/p>\n\n\n\n

Attention to the elements of water, earth, air and fire in traditional Iranian architecture, as well as in Iranian gardens, has existed for a long time. The natural elements given the most attention in Iranian gardens include water, earth, air, light, animals, plants as well as mountains and sky, and all must coexist in perfect harmony with each other.<\/p>\n\n\n\n

The Lost Geography <\/p>\n\n\n\n

Life has always been ahead of art. The artist is but a recorder of events, working on their social, political, cultural or environmental implications. Precisely the environmental issue is today a factor of concern for humanity, the creator of an age \"in its own image,\" already in the literal definition of the Anthropocene. <\/p>\n\n\n\n

For me, an Iranian, from the land of Zoroaster and Cyrus, with clay soil and now largely parched ... desertified, topics such as global warming and drought imply a significant influence on artistic research, precisely because of that link between life and art that I mentioned. <\/p>\n\n\n\n

Sometimes ceramics is asked to play roles that are not its own. Interestingly, it is easy to leave marks and embroideries that are loaded with the most diverse valences: semantic, technical and functional, without with that losing the essence of the material. In fact, clay, that which builds the desert, is that element that can be laid on volcanic stone, until it takes on the appearance of a black hole or a bowl without water. <\/p>\n\n\n\n

In the exhibition \"The Geography of Living,\" I displayed two pieces of volcanic stone by placing them at a distance, but in such a way that they were in dialogue with each other. <\/p>\n\n\n\n

I titled the exhibition \"The Geography of Living,\" because one of the stones was placed high up and the other on the ground. But it is the pumice stone itself that gives the idea of an earthly black hole: image of the sky reflected on the earth or geography of the earth in the sky... I took inspiration from the Persian philosopher Mirfenderesky who lived in the 16th century and who was looking for an earthly image capable of replicating what appears in the firmament: an authentic earthly image of black holes. Well, the pumice stone in its thousand perforations is precisely a journey through the black hole, a journey to which I entrust the thousand memories of my past history... <\/p>\n\n\n\n

The geography of living<\/em><\/strong><\/p>\n\n\n\n

 Lava stone, an earthly black hole <\/p>\n\n\n\n

The image of heaven reflected on earth <\/p>\n\n\n\n

O The geography of the earth in the sky!!! <\/p>\n\n\n\n

One sitting on the ground and the other standing in the sky.  <\/p>\n\n\n\n

Working with lava stone, I always remember the black holes and feel a foreign feeling of familiarity and affinity between them. Well I entrust my amnesia to the thousand holes in the stone that is filled with memories of past history....<\/p>\n\n\n\n

 In the image of the detail from Raphael's School of Athens below, the Iranian prophet Zoroaster, has the likeness of Baldassarre Castiglione and is depicted holding a celestial globe in his hand as he is believed to be the founder of astronomy, and author of the Chaldaean Oracles.<\/p>","protected":false},"featured_media":1192,"parent":845,"menu_order":0,"template":"","format":"standard","categories":[30],"tags":[],"class_list":["post-1096","magazine","type-magazine","status-publish","format-standard","has-post-thumbnail","hentry","category-terra"],"meta_box":{"seleziona_logo":"Standard","mostra_autore_1":"1","Post_Magazine_Autore1_contenuti":{"post_magazine_foto_autore1":["1097"],"post_magazine_qualifica_autore1":"Ingegnere e scultore","post_magazine_qualifica_autore_luogo1":"Verona - Teheran","post_magazine_nome_autore1":"Ehsan Shayegh"},"Mostra_Autore_2":"0","Post_Magazine_Autore2_contenuti":[],"Post_magazine_Frase_1":"Nel mio piccolo ricordo d'infanzia c'\u00e8 il deserto, i muri, i vicoli e le case di fango","Post_magazine_Frase_2":"","post_magazine_luogo":"Verona, Tehran","post_magazine_box":"

\u00a0<\/span>INVERSIONI DI STILE TRA GREEN, TRADIZIONE E DESIGNER<\/span><\/p>\n

In continuit\u00e0 con il tema del Matres edizione 2022 <\/span>\u201cNaturantis\u201d, affrontato in vari aspetti durante tutto il programma del Festival ed anche nel corso del tavolo di lavoro: <\/span>\u201cINVERSIONI DI STILE TRA GREEN, TRADIZIONE E DESIGNER\u201d tenutosi\u00a0 <\/span>\u00a0il 27 agosto 2022, presso il Complesso Monumentale di S. Giovanni- Cava de\u2019Tirreni (SA), viene proposto il lavoro dell\u2019artista iraniano Ehsan Shayegh.<\/span><\/p>\n

Un lavoro personale e di forte richiamo emotivo, dove<\/span> l\u2019argilla e anche la pietra lavica sono\u00a0 il mezzo per comunicare e trasmettere con la pratica artistica, la necessit\u00e0 non pi\u00f9 prorogabile dell\u2019impegno di tutti e in prima persona, nel cercare di affrontare i problemi del pianeta e del cambiamento climatico in atto. L\u2019 artista ha presentato una sua opera - <\/span>la geografia del vivere-<\/span><\/i> anche alla collettiva \u201cSymbola - segni d\u2019identit\u00e0 nella ceramica femminile dall\u2019Italia all\u2019Avana\u201d per il Matres Havana Festival 2023. (Miriam Gipponi)<\/span><\/p>\n

\u00a0<\/span><\/p>\n","post_magazine_approfondimenti_text":"

La desertificazione nel mondo<\/a><\/p>\n

Il futuro del pianeta<\/a><\/p>\n

 <\/p>\n","post_magazine_didascalie":"

Deserto di Niavaran<\/b><\/span><\/p>\n

Particolare della \u201cScuola di Atene\u201d Raffaello Sanzio<\/b>: Zaratustra- Musei Vaticani Roma<\/span><\/p>\n

Credit foto wikipedia- Scuola di Atene<\/span><\/p>\n

Installazione per il progetto linea acqua terra 2019<\/b><\/p>\n

\u00a0Parco di Villa Buri \u2013 Verona Italia\u00a0<\/span><\/p>\n

Installazione 2016<\/b><\/p>\n

Niavaran Cultural Center \u2013 Tehran Iran<\/span><\/p>\n

40 mq.<\/span><\/p>\n

Curata da Bita Fayezi<\/span><\/p>\n

\u00a0Lezioni italiane 2021 \u2013 installazione\u00a0<\/b><\/p>\n

La Giarina, Galleria di Arte contemporanea - Verona Italia\u00a0<\/span><\/p>\n

QANAT 2022- Installazione\u00a0<\/b><\/p>\n

Azad Art Gallery \u2013 Tehran Iran<\/span><\/p>\n

370 x 280 x 30 cm. n.37 pezzi \u00a0<\/b><\/span><\/p>\n

Smalto su pietra vulcanica<\/span><\/p>\n

Non c\u2019\u00e8 pi\u00f9 orizzonte 2020 \u2013 installazione\u00a0<\/b><\/p>\n

\u00a0<\/b>La Giarina, Galleria di Arte contemporanea - Verona Italia\u00a0<\/span><\/p>\n

300 x 700 cm.\u00a0<\/span><\/p>\n

Creta, sabbia<\/span><\/p>\n

Curata da Luigi Meneghelli<\/span><\/p>\n

 <\/p>\n

\u00a0<\/span><\/p>\n

 <\/p>\n

 <\/p>\n","Post_immagini_magazine":[{"width":150,"height":150,"file":"2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02.jpg","filesize":127006,"sizes":{"woocommerce_thumbnail":{"file":"il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-300x300.jpg","width":300,"height":300,"mime-type":"image\/jpeg","filesize":17849,"uncropped":false,"url":"https:\/\/www.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-300x300.jpg"},"woocommerce_gallery_thumbnail":{"file":"il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-100x100.jpg","width":100,"height":100,"mime-type":"image\/jpeg","filesize":3828,"url":"https:\/\/www.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-100x100.jpg"},"woocommerce_single":{"file":"il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-600x350.jpg","width":600,"height":350,"mime-type":"image\/jpeg","filesize":37372,"url":"https:\/\/www.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-600x350.jpg"},"medium":{"file":"il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-300x175.jpg","width":300,"height":175,"mime-type":"image\/jpeg","filesize":10936,"url":"https:\/\/www.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-300x175.jpg"},"large":{"file":"il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-1024x597.jpg","width":1024,"height":597,"mime-type":"image\/jpeg","filesize":62497,"url":"https:\/\/www.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-1024x597.jpg"},"thumbnail":{"file":"il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-150x150.jpg","width":150,"height":150,"mime-type":"image\/jpeg","filesize":5266,"url":"https:\/\/www.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-150x150.jpg"},"medium_large":{"file":"il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-768x448.jpg","width":768,"height":448,"mime-type":"image\/jpeg","filesize":41825,"url":"https:\/\/www.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-768x448.jpg"},"1536x1536":{"file":"il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-1536x895.jpg","width":1536,"height":895,"mime-type":"image\/jpeg","filesize":111892,"url":"https:\/\/www.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-1536x895.jpg"},"trp-custom-language-flag":{"file":"il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-18x10.jpg","width":18,"height":10,"mime-type":"image\/jpeg","filesize":415,"url":"https:\/\/www.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-18x10.jpg"}},"image_meta":{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0","keywords":[]},"ID":"1186","name":"il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02.jpg","path":"\/home\/pandora\/webapps\/pandoraceramiste-it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02.jpg","url":"https:\/\/cdn.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02-150x150.jpg?strip=all","full_url":"https:\/\/www.pandoraceramiste.it\/wp-content\/uploads\/2023\/06\/il-verso-del-magma-EHSAN_SHAYEGH-Zaratustra-Scuola-di-Atene-02.jpg","title":"il 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